{"id":140,"date":"2025-04-08T13:16:06","date_gmt":"2025-04-08T13:16:06","guid":{"rendered":"https:\/\/wemuse.be\/?p=140"},"modified":"2025-04-10T11:13:40","modified_gmt":"2025-04-10T11:13:40","slug":"no-other-land-la-realite-palestinienne-a-lecran","status":"publish","type":"post","link":"https:\/\/wemuse.be\/index.php\/2025\/04\/08\/no-other-land-la-realite-palestinienne-a-lecran\/","title":{"rendered":"\u00ab\u00a0No Other Land\u00a0\u00bb : la r\u00e9alit\u00e9 palestinienne \u00e0 l’\u00e9cran"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

C\u2019est lors de la 97\u00e8me<\/sup> c\u00e9r\u00e9monie des Oscars qui ont eu lieu le 2 mars 2025, que No Other Land <\/em> a re\u00e7u l\u2019Oscar du meilleur long m\u00e9trage documentaire marquant un moment historique pour le cin\u00e9ma palestinien. Cor\u00e9alis\u00e9 par Hamdan Ballal<\/strong>, Basel Adra<\/strong>, Yuval Abraham <\/strong>et Rachel Szor<\/strong>, la production a \u00e9t\u00e9 salu\u00e9 pour sa repr\u00e9sentation poignante des tentatives de d\u00e9placement des Palestiniens de la r\u00e9gion de Masafer Yatta en Cisjordanie par l’arm\u00e9e isra\u00e9lienne et les colons.<\/p>\n\n\n\n

\u200b Un accueil critique<\/strong><\/p>\n\n\n\n

No Other Land<\/em> a \u00e9t\u00e9 largement acclam\u00e9 pour sa narration immersive et sa capacit\u00e9 \u00e0 mettre en lumi\u00e8re les r\u00e9alit\u00e9s de l\u2019occupation isra\u00e9lienne. Malgr\u00e9 des d\u00e9fis de distribution, notamment aux \u00c9tats-Unis d\u00fb \u00e0 la position politique, le long m\u00e9trage a r\u00e9ussi \u00e0 attirer l’attention internationale et a \u00e9t\u00e9 projet\u00e9 dans divers festivals \u00e0 travers le monde. Lors de sa premi\u00e8re projection au Festival de Berlin en 2024, le documentaire a re\u00e7u une ovation debout et a remport\u00e9 l’Ours d’or du meilleur documentaire, confirmant ainsi son impact aupr\u00e8s du public et des critiques. Ce succ\u00e8s a culmin\u00e9 avec sa victoire aux Oscars. De nombreux analystes du cin\u00e9ma ont mis en avant son approche unique : le fait que l\u2019un des r\u00e9alisateurs, Yuval Abraham, soit un journaliste isra\u00e9lien travaillant aux c\u00f4t\u00e9s de Palestiniens a apport\u00e9 une perspective percutante et a renforc\u00e9 la cr\u00e9dibilit\u00e9 du documentaire.<\/p>\n\n\n\n

\n

\u00ab Ce film est la preuve que nos histoires ne peuvent pas \u00eatre r\u00e9duites au silence. La Palestine a une voix et elle sera entendue. \u00bb<\/strong><\/em>\u00a0<\/mark><\/p>\nBasel Adra <\/cite><\/blockquote>\n\n\n\n

Arrestation de Hamdan Ballal<\/strong><\/p>\n\n\n\n

Le 24 mars 2025, Hamdan Ballal a \u00e9t\u00e9 agress\u00e9 par des colons isra\u00e9liens alors qu’il rompait le je\u00fbne du Ramadan dans son village natal de Susya. Les colons l’ont attaqu\u00e9 en pr\u00e9sence de sa famille, puis l’ont remis aux soldats isra\u00e9liens qui l’ont d\u00e9tenu, les yeux band\u00e9s et les mains li\u00e9es. <\/strong>Ballal a \u00e9t\u00e9 lib\u00e9r\u00e9 le lendemain apr\u00e8s avoir \u00e9t\u00e9 interrog\u00e9. Suite \u00e0 l’arrestation de Ballal, l’Acad\u00e9mie des Oscars a publi\u00e9 une d\u00e9claration condamnant les tentatives de nuire ou de supprimer les artistes, mais sans mentionner nomm\u00e9ment Hamdan Ballal. Cette omission a \u00e9t\u00e9 per\u00e7ue comme une indiff\u00e9rence face \u00e0 la violence subie par le r\u00e9alisateur palestinien.<\/p>\n\n\n\n

En r\u00e9ponse \u00e0 la d\u00e9claration de l’Acad\u00e9mie, pr\u00e8s de 700 membres de l’industrie cin\u00e9matographique ont sign\u00e9 une lettre ouverte critiquant le manque de soutien explicite envers Ballal. La lettre soulignait que \u00ab\u00a0l’attaque contre Ballal n’est pas seulement une attaque contre un cin\u00e9aste, mais contre tous ceux qui osent t\u00e9moigner et dire des v\u00e9rit\u00e9s d\u00e9rangeantes\u00a0\u00bb.<\/p>\n\n\n\n

Face \u00e0 la pression croissante, l’Acad\u00e9mie a pr\u00e9sent\u00e9 des excuses publiques le 29 mars 2025, reconnaissant leur erreur et exprimant leur soutien \u00e0 Hamdan Ballal. Ils ont \u00e9galement condamn\u00e9 \u00ab\u00a0la violence de ce type partout dans le monde\u00a0\u00bb et r\u00e9affirm\u00e9 leur engagement envers la libert\u00e9 d’expression.<\/p>\n\n\n\n

Mobilisation contre la censure<\/strong><\/p>\n\n\n\n

L\u2019affaire entourant No Other Land<\/em> <\/strong>et l\u2019arrestation de <\/strong>Hamdan Ballal ont mis en lumi\u00e8re la r\u00e9pression politique que subissent les artistes palestiniens et le manque de soutien international face \u00e0 ces injustices. La pol\u00e9mique a raviv\u00e9 le d\u00e9bat sur la libert\u00e9 d\u2019expression et la n\u00e9cessit\u00e9 de prot\u00e9ger les cr\u00e9ateurs engag\u00e9s. Par ailleurs, les probl\u00e8mes de distribution, illustrent la difficult\u00e9 des \u0153uvres palestiniennes \u00e0 acc\u00e9der aux grands circuits internationaux. Cette controverse a n\u00e9anmoins renforc\u00e9 la mobilisation de la communaut\u00e9 artistique en faveur des r\u00e9alisateurs palestiniens et de leur droit \u00e0 t\u00e9moigner.<\/p>\n\n\n\n

\n

\u00ab Raconter la v\u00e9rit\u00e9 n\u2019est pas un crime, et nous continuerons \u00e0 le faire, quoi qu\u2019il en co\u00fbte. \u00bb<\/em><\/mark><\/strong><\/p>\nYuval Abraham<\/cite><\/blockquote>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

C\u2019est lors de la 97\u00e8me c\u00e9r\u00e9monie des Oscars qui ont eu lieu le 2 mars 2025, que No Other Land  a re\u00e7u l\u2019Oscar du meilleur long m\u00e9trage documentaire marquant un moment historique pour le cin\u00e9ma palestinien. Cor\u00e9alis\u00e9 par Hamdan Ballal, Basel Adra, Yuval Abraham et Rachel Szor, la production a \u00e9t\u00e9 salu\u00e9 pour sa repr\u00e9sentation […]<\/p>\n","protected":false},"author":11,"featured_media":141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"uagb_featured_image_src":{"full":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640.jpg",640,486,false],"thumbnail":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640-150x150.jpg",150,150,true],"medium":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640-300x228.jpg",300,228,true],"medium_large":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640.jpg",640,486,false],"large":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640.jpg",640,486,false],"1536x1536":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640.jpg",640,486,false],"2048x2048":["https:\/\/wemuse.be\/wp-content\/uploads\/2025\/04\/oscar-3200050_640.jpg",640,486,false]},"uagb_author_info":{"display_name":"Soukeina Ben Haddou","author_link":"https:\/\/wemuse.be\/index.php\/author\/soukeina-ben-haddou\/"},"uagb_comment_info":0,"uagb_excerpt":"C\u2019est lors de la 97\u00e8me c\u00e9r\u00e9monie des Oscars qui ont eu lieu le 2 mars 2025, que No Other Land  a re\u00e7u l\u2019Oscar du meilleur long m\u00e9trage documentaire marquant un moment historique pour le cin\u00e9ma palestinien. 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